Between those encounters, she changed back to her Rose identity, who claimed (apparently genuinely) to be searching for her evil sister. The Thorn then appeared in Keystone City, where she clashed repeatedly with the Flash. After terrorizing Tashmi's natives, she murdered Hollis and returned to the U.S. Her hair even changed color, from blond to red. Handling the strange, thorny vines of Tashmi and being exposed to their sap caused a bizarre change in Rose, physically transforming her into the evil "sister" she had glimpsed so often in the mirror. Eventually, Rose began to see her evil personality in mirrors, later coming to believe that her other self was actually her sister.Īs a young woman, Rose became the research assistant of Professor Hollis, a well-known botanist conducting experiments on the plant life of the tropical island Tashmi. Although Rose was a sweet, good-natured girl, her alter was cruel and vicious, prone to acting out and hurting others. Rose Canton's dual personality first manifested when she was a child. #18 (1985) art by Todd McFarlane and Pablo Marcos. The Harlequin returns to protect Jade and Obsidian from the Thorn - is she their mother? From Infinity, Inc. After a night with Alan Scott, Rose flees and gives their twin children up for adoption. From Superman's Girl Friend Lois Lane #113 (1971) art by Joe Kubert. Good and Evil Green Lantern and Wonder Woman offer to help cure the Rose and the Thorn (an adversary of the Flash). Prior to Crisis on Infinite Earths, she existed on the parallel world of Earth-Two. She was later revealed to be the birth mother of Jade and Obsidian, the product of a brief marriage to Alan Scott, the original Green Lantern. While MCU fans may consider Cull Obsidian and Ronan the Accuser to be one-note villains, in Marvel Comics, their deadly brawl was far more than the apparent sum of its parts.The Thorn, a ruthless villainess with multiple personality disorder, was one of the deadliest foes of the original Flash. In the closing skirmish of Infinity, Avengers #23 shows that working together, the representatives of the galaxy's sentient worlds can conquer any threat, even if each of the "heroes" in this battle brings along their own checkered past and bloody hands. It's perhaps for this reason that his victory over Black Dwarf - the brutal general of a galactic tyrant - feels like such a moment of triumph. From killing heroes to an arranged marriage with the Inhuman Crystal, Ronan is a noble soul often forced to carry out ignoble deeds. A true believer in the philosophy of the Kree, Ronan has nevertheless frequently disgraced himself in their eyes by breaking from official orders to do what he considers right. Writer Jonathan Hickman has a long history of exploring the moral grey areas those who protect and represent nations must inhabit, and in many ways Ronan is the perfect expression of this.
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The viscera alone would disqualify this scene from the MCU, but the scene also draws on the shady morality of its antihero leads in ways that wouldn't work with their less fleshed-out movie incarnations. While Ronan has threatened Earth on the Kree's behalf many times, he's been a hero as often as a villain, and when Thanos and his Black Order seized Earth, he volunteered to help the Avengers retake it. Introduced in 1967's Fantastic Four #65, Ronan the Accuser is an alien antihero - the ultimate form of justice in a society warped by decades of war.
Known as Black Dwarf in the comics, the character the movies call 'Cull Obsidian' has some hidden depths, despite only being introduced in 2013 (by Jonathan Hickman and Jerome Opena.) A member of Thanos' Black Order, the alien powerhouse is a general in the Mad Titan's army, and a surprisingly complex soul who is secretly in love with ally Proxima Midnight. With over eighty years of comic history, MCUfans are never going to see the movie version of every great moment from the original stories, but the battle between Guardians of the Galaxy's Ronan the Accuser and Thanos' lackey Cull Obsidian was always guaranteed not to make it to big screen, owing mainly to the gory conclusion of the fight.
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